I love the vitrines at the Metropolitan Museum of Art that are filled with household artifacts from places long ago and far away. Tightly woven mats and perfectly crafted sandals, hammered metal and braided leather, ancient objects still feel alive with the integrity and vitality of their makers.
What sometimes also strikes me is how little our aesthetic values have changed over the thousands of years. Beauty is still a human imperative and careful craftsmanship is still a revered skill. We still respond to simple shapes and beautiful materials, to whimsical embellishments and practical uses.
I thought about this a lot as I crocheted these Jewelry Dishes. I wondered if I were given the opportunity to slip them into a glass case at the Met, would they be so out of place? Or, if I put them on my dresser and filled them with my rings and bracelets, my pieces of sea glass and other curios, would it be that much different than, say, a Pacific Islander from centuries back storing glass trade beads and shell earrings in her own hand crafted vessel? And isn't this connection to the past really, deep down, why we craft?
My trip into antiquity was greatly assisted by the purity and simplicity of Habu's extraordinary fibers. I held two yarns together, Copper Bamboo and Dyed Linen. The bamboo and linen lend an exquisite rusticity to the finished pieces, while throughout, the copper flashes its chestnut sparkle, glowing like a warm ember.
It's not hard to make your own pretty little trays and bowls, just some simple crocheting... like it's always been done! --Whitney
PS Wouldn't these gorgeous brass bracelets be right at home in a museum case? The Maggie Bracelets were designed by our good friend Kerrilynn Pamer and are for sale online right here and at her lovely West Village store, Castor & Pollux!