September's Mini Quilt of the Month is our most playful and risky one yet! And not just because it looks so cool and edgy, but because it's sewn in such a breezy, off-the-cuff manner. As I sliced and pieced, I felt like I was painting with fabric because the process is so improvisational and free. With a rotary cutter for a paintbrush, you get to wield your tool with a wild abandon not usually associated with quilting.
Like our June Rainbow Mini Quilt, this piece takes its inspiration from the remarkable formalist painter, Ellsworth Kelly. This time we turned to an ink drawing from 1950 called Study for "La Combe II" (you can see the painting here.) We all loved its disjointed graphic quality and knew it would translate beautifully to a quilt. By first piecing thin strips of colored fabric at random angles against a white background and then cutting it all up and piecing it back together in a different order, I think we achieved a similarly bold statement.
It takes a bit of courage to start slicing through the fabric at haphazard angles, but once you get going, it's hard to stop. It's amazing how quickly and easily a few strips of colored fabric can create something so beautiful. The bright, crisp mix of Kona and Shot Cottons makes the whole thing seem so alive, just like a great painting!
ps- You can see our whole Mini Quilt of the Month series by clicking here.